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The Terminator becomes a bonafide national treasure

December 30th, 2008

Every year, the US Library of Congress selects films of importance for its National Film Registry film preservation project. This year, classic films like The Asphalt Jungle, In Cold Blood, Deliverance, Sergeant York, and others from the early 20th century were added to the list, guaranteeing their physical preservation and a place in national history as significant contributions to our national culture. 

Perhaps the most intriguing of the selections, was James Cameron’s The Terminator from 1984. It’s the only film of this year’s selections that still has an active following, including a third sequel due next year and a great (albeit-struggling) TV series airing on broadcast TV. While most sci-fi fans would easily consider the low-budget, visionary flick a classic, it says a lot that the federal government considers it a national treasure worth preserving for all time. I mean, that’s, like, forever.

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My awkward embrace with Blu-ray

December 28th, 2008

Blu-ray Disc logoWith all the deals to be had on Black Friday this past November, I couldn’t help but be tempted to finally jump into the Blu-ray format. Ever since HD DVD fell by the wayside earlier this year, I had been resigned to simply watching movies on DVD as I had been for the past decade. I had placed my bet on a fledgling technology and simply lost out, so in a fit of disappointment, I found that I was fine with kicking it old school for the foreseeable future.

There was the matter of the investment I had already made into HD DVD, including the add-on for my Xbox 360 (which at the time was the cheapest way to get into the format) and a growing collection that stopped at 35 titles. Maybe more importantly, there were the underlying principles behind the rival HD formats and their backers–Toshiba and the HD DVD Consortium versus Sony and the Blu-ray Disc Association. In my mind, these corporate giants were slugging it out for different reasons and ultimately, I think the interests of Hollywood and Silicon Valley won out over that of consumers and end-users.

While that aspect of it all is probably the hardest pill to swallow, I’ve been able to look past it and consider what’s really the heart of the matter–being able to enjoy movies in high definition again. There was simply no other choice for building an “ultimate” collection of movies that didn’t revolve around (or at least involve) Blu-ray.

I’d told myself that I would eventually make the leap to Blu-ray when prices came down to a reasonable level, and the fact that it had taken well over six months for the prices of players (I’m talking competent players, not those bare-bones models) to come down to the $200 range was longer than I had expected. As I’m sure many had hoped, the decrease in prices was welcomed with open arms as the 2008 holiday season approached. With that, I started to take note of what players were shaping up to be the best value and what sort of features were going to be important for my setup.

Shopping for a decently-priced unit on Black Friday wasn’t half as difficult as I thought it would be, so that took a lot of grief and hassle out of the decision. My only concerns revolved around finding a reliable, upgradeable unit, which meant a brand name player that was network capable and Profile 2.0-ready. The most obvious option would be the PlayStation 3, I suppose, but I wasn’t interested in another gaming console and unlike in 2006, the PS3 was no longer the cheapest Blu-ray player on the market. My feelings about Sony as a company in general had initially pushed me to look at a unit made by Samsung or Panasonic, but the more I thought about it, I came back to a Sony unit.

For all the fanfare touting Blu-ray as the best thing since DVD nearly ten years ago, there are those who would have you believe that traditional optical media is on the way out for good. I’m not one of ‘em, but I’m not blind to what’s been happening on the digital distribution front either. I’ve seen how services like iTunes, Netflix and Xbox Live have all been angling for a share of digital downloads and streaming content over the internet right into the living room, and while they’re all relatively small beans in comparison to DVD retail sales, the potential to turn media consumption on its head in the coming years is absolutely there. Investing into yet another optical media format might not be a bad move right now, but that might change in the future. So, here’s where my new thinking came into play–who would most likely continue to support and build upon Blu-ray until the very end?

Like I said, settling on the Sony BDP-S350 was about as easy as I could have hoped for.

Sony BDP-S350

After downloading nine(!) firmware updates and picking up a USB flash drive due to the lack of any on-board storage, I now had a Profile 2.0 Blu-ray player that could match the PS3 (and sadly, the very first HD DVD player that hit the market in 2006). I immediately went out and bought a few titles to start off my collection and ordered a couple more online at bargain prices. That was a couple of weeks ago.

Now I’m already up to 10 titles, including Iron Man, Cloverfield, Top Gun, Superbad, Indiana Jones and the Kingdom of the Crystal Skull, Patton, The Shawshank Redemption, Kill Bill Vol. 1 & Vol. 2 and the title that’s probably going to give the Blu-ray format the kick in the pants it’s needed for the last couple of years, The Dark Knight. In fact, I’m betting that The Dark Knight will do for Blu-ray what The Matrix did for DVD back in 1999, which is push player and disc sales through the roof.

With player prices finally hitting the sub-$200 range, quality titles (with quality presentations) hitting shelves every week, Blu-ray ranking second to only HDTV purchases this holiday season, big titles like Iron Man, WALL•E and The Dark Knight getting good press with their Blu-ray debuts, I have to admit that I’m pretty excited about this Blu-ray hoopla. Not because of the format, but because, for me, it brings the best quality back to my home movie-watching experience.

Don’t get me wrong, I haven’t all of a sudden become a giant Blu-ray fanboy by any means, but my perspective changed once I bought in and really only thought about the content, not the technology behind it. Do I regret supporting HD DVD? Not at all. Do I think Blu-ray still has some room for improvement? Absolutely. Will that keep me from finally getting to enjoy the movies I want in the best way possible? Not anymore.

Disney drops prices on Blu-ray after Christmas

December 24th, 2008

Today Disney announced a new high-profile promotion for their Blu-ray titles, marking a big end of year push for new adopters of the high-def format. The price-dropping promotion, which lasts from December 26, 2008 until January 10, 2009, includes some of the studio’s biggest hits like Cars, The Chronicles of Narnia series, the Pirates Of The Caribbean series, Ratatouille, Sleeping Beauty: Platinum Edition, The Nightmare Before Christmas: Special Edition and Wall·E.

I know I’ll be looking for some of these, especially The Nightmare Before Christmas and Wall·E, which have apparently been deemed to of the best Blu-ray releases of 2008.

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Metallica nominated for package design Grammy

December 15th, 2008

metallica_digipak

Design firm Turner Duckworth announced today that its work on the packaging for the latest Metallica album “Death Magnetic” has been nominated for a Grammy award. Yes, a Grammy. For packaging. Turner Duckworth, known for its work with Coca-Cola and Motorola, made some unconventional design choices in the face of traditional music packaging, including the ambiguous/not-so-ambiguous cover image and a rather intrusive die-cut that pays no mind to photos or text in the liner notes.  

I’m not sure what’s more surprising for me; the fact that Metallica is still bothering to put out music or that they turned to a design firm to build and market their “brand” or that there’s even a Grammy award for packaging design. Anyone recall who won last year or the year before that?

The Crow remake on the way

December 15th, 2008

Brandon Lee - The Crow

According to Variety, Relativity Media is working to get its hands on rights to The Crow license, with plans to bring self-exiled director Stephen Norrington (Blade, The League of Extraordinary Gentlemen) to reboot the franchise.

Boo that that shit, I say. While I can understand that the death of Brandon Lee was tragic and unfortunate, I honestly think it made The Crow stronger and far more poignant, to the point where I don’t see why anyone would ever want to remake the film. Sure, Lee wasn’t exactly a star like The Dark Knight’s Heath Ledger, but just like with Ledger, there’s something to be said for leaving a man’s legacy–the one truly excellent film he made in his career–intact. Don’t let his death be in vain, Hollywood.  How about just putting together another sequel, but this time like you give a damn?

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I CAN HAZ UR CHILDREN NOW?

December 13th, 2008

Michael Jackson...in a mask.

Can you imagine the magical fields of sweet mystery that must be Michael Jackson’s mind these days? Just when you thought you could identify a celebrity kid toucher, he goes and turns all Hamburglar on us. Beware kids, danger lurks out there. And it brings with it a phat Barney mixtape.

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Clerk Dogs hand-rolls movie recommendations

December 9th, 2008

For years, anyone who wanted solid recommendations on movies usually took the question up with a local video store clerk. I should know. I used to be one.  When you’re around so many movies and hear so many customers’ feedback, it’s easy to know what people really look for in their purchases. These days, as people buy and watch movies online, it becomes a one-way street, making it sometimes difficult to get a real human-based recommendation on what else is out there.

Created by Reel.com founder Stuart Skorman, Clerk Dogs is looking to fit that bill and do it with an unprecedented amount of human input, including hand-picked recommendations by thousands of video store clerks themselves. Even the site’s Mash It tool relies on real connections as suggested by people, not some collaborative, taxonomy-based algorithm. Check out this video of how the service works or just give it a spin and see what you think.

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The only productivity tip you’ll ever need

December 5th, 2008

GET TO WORK.

That’s right. If you have work to do and are super-concerned about getting it done, that’s the only practical piece of advice I can offer.

Lately, I’ve been catching up with sites that claim to offer tips and tricks to stay productive and make your workload a bit easier and less stressful. You know, the kind of stuff that falls into the Getting Things Done mantra (you do know GTD, don’t you?). Sites like Merlin Mann’s 43Folders provide some excellent insights and perspective on what it means to be a responsible, highly-productive worker. Designer types like myself can go to Fuel Your Creativity or Smashing Magazine and find out how to get better at this or easier ways to do that. The tech-savvy can hop over to LifeHacker or TechieBuzz and find all kinds of ways to get the most out of their computers and technology.

These sites offer some really great advice and can be a big help whenever you’re in a pinch, but it seems like everyone’s got tips on how to do stuff. Even when I try to skim my way through a lot of it, I’ve found myself more enthralled by reading about how to be productive than actually being productive.

And so that’s where my three magic words come into play. I still like to find ways to make my computer faster or some nifty Photoshop tutorials as much as the next guy, but as far as getting things done, I come from the school of “Don’t talk about it. Be about it.” So the next time you find yourself being not-so-productive, try not to look to others for ways to do your work. Just get to work. You pansy. You’re welcome.

Redbox stocks up ‘Wanted’, throws middle finger to Universal

December 5th, 2008

After Universal Studios decided to put a leash on what DVD rental kiosk vendors can do with their titles, Redbox not only filed suit back in October, but has now stocked over 100,000 copies of Universal’s big upcoming DVD release Wanted.

Even with Universal’s new attempts to regulate how its titles are handled now in effect, Redbox has done its customers a solid and found alternative (albeit costly) ways to stock the DVD on release day. And since Redbox is sticking to its $1/day rental fee, that means they’re doing it on their own dime. How’s that for putting the customer first?

Photographer’s ‘Immersion’ looks at the faces of young gamers

December 3rd, 2008

As someone who’s played video games regularly for years, watching this video by photographer Robbie Cooper of young gamers and the emotion on their faces is both amusing and interesting.

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